Showing posts with label Louise Gluck. Show all posts
Showing posts with label Louise Gluck. Show all posts

Sunday, 24 December 2017

Christmas Eve

 Image result for nativity
 

Nativity - Louise Gluck

It is the evening
of the birth of God.
Singing &
with gold instruments
the angels bear down
upon the barn, their wings
neither white
wax nor marble. So
they have been recorded:
burnished,
literal in the composed air,
they raise their harps above
the beasts likewise gathering,
the lambs & all the startled
silken chickens ... And Joseph,
off to one side, has touched
his cheek, meaning
he is weeping ---

But how small he is, withdrawn
from the hollow of his mother's life,
the raw flesh bound
in linen as stars yield
light to delight his sense
for who there is no ornament.
 

Sunday, 24 July 2016

Summer Nights

 



Summer Nights - Louise Gluck

Orderly, and out of long habit, my heart continues to beat.
I hear it, nights when I wake, over the mild sound of the air conditioner.
As I used to hear it over the beloved’s heart, or
variety of hearts, owing to there having been several.
And as it beats, it continues to drum up ridiculous emotion.

So many passionate letters never sent!
So many urgent journeys conceived of on summer nights,
surprise visits to men who were nearly complete strangers.
The tickets never bought, the letters never stamped.
And pride spared. And the life, in a sense, never completely lived.
And the art always in some danger of growing repetitious.

Why not? Why not? Why should my poems not imitate my life?
Whose lesson is not the apotheosis but the pattern, whose meaning
is not in the gesture but in the inertia, the reverie.

Desire, loneliness, wind in the flowering almond—
surely these are the great, the inexhaustible subjects
to which my predecessors apprenticed themselves.
I hear them echo in my own heart, disguised as convention.

Balm of the summer night, balm of the ordinary,
imperial joy and sorrow of human existence,
the dreamed as well as the lived—
what could be dearer than this, given the closeness of death?


Wednesday, 3 February 2016

Snowdrop Reverie



Snowdrop - Louise Gluck

Do you know what I was, how I lived? You know
what despair is; then
winter should have meaning for you.

I did not expect to survive,
earth suppressing me. I didn't expect
to waken again, to feel
in damp earth my body
able to respond again, remembering
after so long how to open again
in the cold light
of earliest spring--

afraid, yes, but among you again
crying yes risk joy

in the raw wind of the new world.

Thursday, 25 June 2015

Midsummer


This poem encapsulates a lot of what summer is really about. The ripe days of living.



Midsummer - Louise Gluck

On nights like this we used to swim in the quarry,   
the boys making up games requiring them to tear off  the girls’ clothes   
and the girls cooperating, because they had new bodies since last summer
and they wanted to exhibit them, the brave ones   
leaping off  the high rocks — bodies crowding the water.

The nights were humid, still. The stone was cool and wet,
marble for  graveyards, for buildings that we never saw,   
buildings in cities far away.

On cloudy nights, you were blind. Those nights the rocks were dangerous,   
but in another way it was all dangerous, that was what we were after.   
The summer started. Then the boys and girls began to pair off   
but always there were a few left at the end — sometimes they’d keep watch,
sometimes they’d pretend to go off  with each other like the rest,
but what could they do there, in the woods? No one wanted to be them.   
But they’d show up anyway, as though some night their luck would change,   
fate would be a different fate.

At the beginning and at the end, though, we were all together.
After the evening chores, after the smaller children were in bed,   
then we were free. Nobody said anything, but we knew the nights we’d meet   
and the nights we wouldn’t. Once or twice, at the end of summer,   
we could see a baby was going to come out of all that kissing.

And for those two, it was terrible, as terrible as being alone.   
The game was over. We’d sit on the rocks smoking cigarettes,   
worrying about the ones who weren’t there.

And then finally walk home through the fields,   
because there was always work the next day.   
And the next day, we were kids again, sitting on the front steps in the morning,   
eating a peach.  Just that, but it seemed an honor to have a mouth.   
And then going to work, which meant helping out in the fields.   
One boy worked for an old lady, building shelves.   
The house was very old, maybe built when the mountain was built.

And then the day faded. We were dreaming, waiting for night.   
Standing at the front door at twilight, watching the shadows lengthen.   
And a voice in the kitchen was always complaining about the heat,
wanting the heat to break.

Then the heat broke, the night was clear.   
And you thought of  the boy or girl you’d be meeting later.   
And you thought of  walking into the woods and lying down,   
practicing all those things you were learning in the water.   
And though sometimes you couldn’t see the person you were with,
there was no substitute for that person.

The summer night glowed; in the field, fireflies were glinting.
And for those who understood such things, the stars were sending messages:   
You will leave the village where you were born   
and in another country you’ll become very rich, very powerful,
but always you will mourn something you left behind, even though   
you can’t say what it was,
and eventually you will return to seek it.
 

Saturday, 1 November 2014

Day 835: All Hallows


Today is All Hallows, All Souls Day or Day of the Dead as it is known in Mexico, where the people
paint their faces as elaborate skulls as a colourful way of remembering the dead.



All Hallows - Louise Gluck 
Even now this landscape is assembling.
The hills darken. The oxen
sleep in their blue yoke,
the fields having been
picked clean, the sheaves
bound evenly and piled at the roadside
among cinquefoil, as the toothed moon rises:

This is the barrenness
of harvest or pestilence.
And the wife leaning out the window
with her hand extended, as in payment,
and the seeds
distinct, gold, calling
Come here

Come here, little one

And the soul creeps out of the tree.

Monday, 25 August 2014

Day 766: Lessons in Life

 

Simple but powerful.


First Memory - Louise Gluck

Long ago, I was wounded. I lived
to revenge myself
against my father, not
for what he was—
for what I was: from the beginning of time,
in childhood, I thought
that pain meant
I was not loved.
It meant I loved.


The Everlasting Monday

Thou shalt have an everlasting
Monday and stand in the moon.

The moon's man stands in his shell,
Bent under a bundle
Of sticks. The light falls chalk and cold
Upon our bedspread.
His teeth are chattering among the leprous
Peaks and craters of those extinct volcanoes.

He also against black frost
Would pick sticks, would not rest
Until his own lit room outshone
Sunday's ghost of sun;
Now works his hell of Mondays in the moon's ball,
Fireless, seven chill seas chained to his ankle.
- See more at: http://allpoetry.com/The-Everlasting-Monday#sthash.KYTmulua.dpuf

Thursday, 22 August 2013

Day 398: Wounds


Louise Gluck is a poet who is not afraid to confront blunt psychological truths. And always in a personal confessional mode, in an effort you feel, to set herself free.

 
Untrustworthy Speaker - Louise Gluck 

Don’t listen to me; my heart’s been broken.
I don’t see anything objectively.

I know myself; I’ve learned to hear like a psychiatrist.
When I speak passionately,
that’s when I’m least to be trusted.

It’s very sad, really: all my life, I’ve been praised
for my intelligence, my powers of language, of insight.
In the end, they’re wasted—

I never see myself,
standing on the front steps, holding my sister’s hand.
That’s why I can’t account
for the bruises on her arm, where the sleeve ends.

In my own mind, I’m invisible: that’s why I’m dangerous.
People like me, who seem selfless,
we’re the cripples, the liars;
we’re the ones who should be factored out
in the interest of truth.

When I’m quiet, that’s when the truth emerges.
A clear sky, the clouds like white fibers.
Underneath, a little gray house, the azaleas
red and bright pink.

If you want the truth, you have to close yourself
to the older daughter, block her out:
when a living thing is hurt like that,
in its deepest workings,
all function is altered.

That’s why I’m not to be trusted.
Because a wound to the heart
is also a wound to the mind.

Wednesday, 2 January 2013

Day 194: Snowdrops


January, month of new beginnings. And new hope blossoming, just like the snowdrops coming up. Frightening but exhilarating too,  'in the raw wind of the new world.'


Snowdrops - Louise Gluck

Do you know what I was, how I lived? You know
what despair is; then
winter should have meaning for you.

I did not expect to survive,
earth suppressing me. I didn't expect
to waken again, to feel
in damp earth my body
able to respond again, remembering
after so long how to open again
in the cold light
of earliest spring--

afraid, yes, but among you again
crying yes risk joy

in the raw wind of the new world.