Juliette Binoche playing a female war photographer in 'A Thousand Times Goodnight'
I am posting this poem today thinking of that shocking photo of the drowned Syrian child that has gone 'viral' in world media in recent days. Was the photograph a necessary telling of truth, a powerful wake-up provocation for change or a needlessly insensitive and disrespectful portrayal?
In this poem from a few years back, Carol Ann Duffy writes from a war photographer's perspective, clearly illustrating the mindset and toils of the job.
War Photographer - Carol Ann Duffy
In his dark room he is finally
alone
with spools of suffering set out
in ordered rows.
The only light is red and softly
glows,
as though this were a church and
he
a priest preparing to intone a
Mass.
Belfast. Beirut. Phnom Penh. All
flesh is grass.
He has a job to do. Solutions
slop in trays
beneath his hands, which did not
tremble then
though seem to now. Rural
England. Home again
to ordinary pain which simple
weather can dispel,
to fields which don’t explode
beneath the feet
of running children in a
nightmare heat.
Something is happening. A
stranger’s features
faintly start to twist before his
eyes,
a half-formed ghost. He remembers
the cries
of this man’s wife, how he sought
approval
without words to do what someone
must
and how the blood stained into
foreign dust.
A hundred agonies in black and
white
from which his editor will pick
out five or six
for Sunday’s supplement. The
reader’s eyeballs prick
with tears between the bath and
pre-lunch beers.
From the aeroplane he stares
impassively at where
he earns his living and they do
not care.
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